Subjectivity, Memory and History
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This line of research intertwines horizontally and vertically problems of subjectivity, memory and history, investigating them under multiple aspects and theoretical and analytical perspectives. It integrates projects in mutually transversal axes, according to their insertion in the central issues of this research area, namely: how, in the multicultural space in which literatures exist, can one politically point out reversals of crystallized processes of the subjective, the memorable and the historical? The thematic axes are listed as follows:
a. History as archive, the violence in writing history and in subjectivation practices.
b. Dismantling collections in the cultural field as a possible form of the memorable, or what remains on the horizon of the American and African diasporas, incursions through memory as a critical matter of culture.
c. Subject and body as the memorable critic in biographical and autobiographical writings.
d. Opening to the vestiges of the desubjectifying experience in the limit of language.
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Faculty:
ALCKMAR DOS SANTOS
CLAUDIO CELSO ALANO DA CRUZ
MARCOS JOSÉ MÜLLER
PEDRO DE SOUZA
ROSANA CÁSSIA KAMITA
SÉRGIO ROMANELLI
SIMONE PEREIRA SCHIMDT
SUSAN APARECIDA DE OLIVEIRA
STÉLIO FURLAN
TÂNIA REGINA OLIVEIRA RAMOS
TEREZA VIRGINIA DE ALMEIDA
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Projects:
Escritas de si amizades por correspondência Mário Dionísio e Jorge Amado – Stelio Furlan
A MALA DE JORGE AMADO: 1941-1942 (por uma história ainda não contada) – Tânia Regina Oliveira Ramos
D. Pedro II tradutor: análise do processo criativo – Sérgio Romanelli
Filosofia Africana – Susan Aparecida De Oliveira
Literaturas periféricas em África – Susan Aparecida De Oliveira
O Museu Victor Giudice – Tereza Virginia De Almeida
Passagens: Benjamin, Paris, Borges, Buenos Aires – Claudio Celso Alano da Cruz
Resgates e Ressonâncias: Diálogos Literários Brasil-Portugal – Rosana Cássia Kamita
Voz e subjetivação no documentário sobre a vida de cantores: Uma análise discursiva – Pedro de Souza
